As I have for the past couple of years, I spent a little time today copying a panel drawn by Kirby that lodged in my visual imagination when I was a kid and never completely got dislodged.
Don't look at it too closely. My work really suffered from a combination of scale and tool choice: I was drawing this way too small for it to get inked well with my ready-to-hand combo of brush pen and medium-fine Rapidograph. The colors are pretty nice, though.
Why do I do this? The pictures still, after all these years, have an eerie power for me, most of which comes (I think) from the seriousness with which I studied them when I was little.
Suppose you're walking in a ruined theater, where no one has set foot for twenty years. There's a little old upright piano in the dusty backstage wings, and out of curiosity you plink out a chord. The notes are hollow, weak, and a little sour, but you have to be impressed that they still play.
That's the way it is for me with these pictures. I think I would recognize that "organic director" in any context, even though Kirby only drew it once. (Lightray refashions it into something less horrible before we get another clear look at it.)
This year, I invited a few of my friends to join me in my observances.
Scott Koblish drew a panel from Kirby's run on Captain America.
Check out Ben Towle's Lockjaw pinup.
And dig Damien's Mark Moonrider.
I didn't have to invite Bully to commemorate the occasion, of course. He did it all on his own.
Ditto, Adam Koford, natch.
And Evan Dorkin? Nuff said.
ooOOO! Some Orion and Lightray Deep 6 action! That's great!
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