AlphaBots: P is for Plex

And now in the course of our AlphaBots we come to Robot Number One in my house.

I mean, if you ask my little son who his favorite robot is, he's likely to list Jimmy and R2-D2 (whom he knows from a blinking toy, not having seen Star Wars yet) as well—"favorite" is almost always plural—but his longest-standing robot friendship has to be with Plex.

In fact, I'd wager that of all the robots in my alphabet, Plex is the one I have drawn the most frequently. Just this weekend I was challenged to work him into the background of an Aquabats whiteboard mural. I've drawn him in almost ever medium available.

Crayons are fun.

The odd dialogue in my panel above comes from another "dark whisper." Nothing major—just musing about a character I'm creating for a comic you'll hear a lot more about in a couple of weeks.

AlphaBots: O is for Omnidroid

I'm running a little late on this week's AlphaBots drawing, and I don't have a whole lot to say about it, except ...

1. Really stylish design looks simple and is difficult to replicate. I wish I could have done a better job with this. I'm still feeling rusty.

2. I still really enjoy The Incredibles, which I take to be an allegory about middle age and having an uninteresting job that doesn't tap your whole potential. The Omnidroid has almost nothing to do with that reading of the movie, except as its ever-increasing dangerousness becomes a way to push the limits of potential.

3. If I'd been thinking about this a little longer before I started drawing, I might have tried to ape the style of Tom Gauld. But instead this is what you get.

The word of the day at dictionary.com is melliferous.

See you again soon!

AlphaBots: N is for Nomad

Hey, I'm caught up on AlphaBots! That was fast.

I hope you recognize this little hovering menace. He. Is. Nomad., one of the less convincing bits of mid-twenty-third-century alien (well, semi-alien) technology on the old classic Star Trek show that I love so dearly.

I'm bending one of my rules to include both Nomad and Data in my alphabet. I want every one of my robots to come from a different source, after all. It's possible that some of the same hands were involved in creating both of them, but in my mind Next Generation is really the creation of a different set of writers and thinkers, with different concerns. Nomad shares a universe with Data in only the most nominal sense.

If you object, I could probably come up with another N-bot. But how could I not draw this clunky, inert guy?

The text in this panel comes from another "bibliomantic search," this time of what looks to be a fascinating scholarly study of the apostle Thomas. (Did you realize that the Biblical account actually never says that Thomas touched Jesus's wounds? In fact, it reads as if Thomas is too ashamed at being rebuked by Jesus to go through with his skeptical test.)

AlphaBots Catchup: L for Lead; M for Marvin

I'm going to catch up on AlphaBots this week, but I haven't drawn this week's robot yet. Instead, let me give you a member of an inexplicably under-published shape-shifting alchmico-scientific super-robot team, plus an android from a story near to every nerd's heart.

So, first, L is for Lead, the least shiny of the Metal Men. Having thought about this drawing for two weeks didn't make it any better — there's more fun and more energy in some of my preliminary sketches — but it did get me thinking about the special properties of Lead. I wonder: has Lead even concealed something from Superman's x-ray vision? Has he ever formed his finger into a pencil to write a message? Has he ever formed his hands into revolvers and shouted, "Eat lead, copper?" Since he's not the brightest knife in the crayon pack, does Lead have the sort of homophone trouble that haunts modern college students?

I'm even less happy with this drawing of Marvin, the Paranoid Android. I knew that I didn't want to replicate the movie or TV versions of Marvin, neither of which actually looks very andr-oid. I first encountered Hitchhiker's Guide to the Galaxy as a novel (and then shortly thereafter as a script for a radio show, a radio show itself, and a text-adventure video game), so I had some time to imagine what he looked like before anyone showed him to me. I always sort of mixed Marvin up with Neil from The Young Ones, a show I never really watched (we had no cable and thus no MTV) but heard quoted and described to me an awful lot over the phone.

Alas, my skills of robo-caricature aren't up to the challenge. Clearly I'm rusty; the only solution is to draw more.

Oh, here are those sketches of Lead that I liked better than my finished panel:

Dialogue in these panels is "dark whisper" and "bibliomantic search" (an alumni magazine that happened to be on the table).

More soon.

AlphaBots: K is for K-9

This week's AlphaBots drawing is sure to tug at the nostalgic sentiments of some. And he is a faithful, charming, and useful robot by anyone's estimate.

As I have mentioned before, I was never a huge devotee of Doctor Who myself, though I did watch it when I could for a little while when I was in junior high. I even read one paperback novelization of a story arc on a trip to my grandmother's house.

The local PBS station was broadcasting episodes with the Tom Baker incarnation of the Doctor, and I had a hand-me-down TV in my bedroom that barely picked the station up. I consequently think of Doctor Who as a secret, almost underground show, half-masked in the snow of bad reception. I know that's not the way most people received it.

On reflection, though, I realize that those weird, low-budget shows were one of the first cultural products that I found entirely on my own. I don't know whether I even talked to people about it. If someone told me I'd dreamed or hallucinated the whole business, I'd almost believe it.

So, anyway, I remember K-9 with a sort of cobwebbed fondness, but he's not a major part of my contemporary situation like some robots.


(P.S. I actually considered, briefly, doing this other robot, and I'm glad someone else did it better than I could have.)

AlphaBots: I is for IG-88

I think this week's AlphaBots selection will turn out to be pretty popular. There aren't a lot of robots that start with I, and this one is pretty fun to draw.

As far as I knew before I started work on this, IG-88 was just one of a lineup of bounty hunters, like Zuckuss or Bossk, who looked cool but never got a line in Empire Strikes Back: set dressing in the movies; awesome extras in my action-figure collection.

Actually, I never had the Zuckuss figure, and the IG-88 figure was especially lame — I've drawn him with much more bendable arms than the ones I remember. But what a strange sight he was, with that pope-chapeau head and those pipey limbs.

I should have known that, like so many elements in the extended Star Wars universe, IG-88 has a complicated backstory available only to the cognoscenti. He also, apparently, has a night life:


Give that video a couple of minutes. It starts slowly, but around 2:00 it starts to get pretty fun.

As for the dialogue this week, well, I rolled "dark whisper," and that's all I need to say.

Alphabots: G is for Godbot

In a moment of inspiration I picked up The Nao of Brown, which impressed me mightily when I read it last year. "There are giant robots in Ichi, right? There are robots somewhere in that book." Indeed, they're in there, though they really only appear on one page.

Of course they fell in an awkward spot in the Alphabot alphabet, as I've already drawn one robot for G.

But the design of these robots is so interesting—fluid and blocky, impressive and fragile, deliberate and doodly—that I thought I'd take a quick crack at it after everyone else in the house was asleep.

So, yeah, G is for godbot.

The dialogue comes from a recent tweet by Nick Abadzis, for no reason other than chance.

AlphaBots: G is for Gort

This week's AlphaBots drawing is not some old sentimental favorite.

In fact, although I am sure I will lose some nerd cred by admitting this, I've never watched The Day the Earth Stood Still. I'd like to one day, but it's not at the top of my queue.

I've borrowed this drawing of Gort, the massive robot that accompanies Klaatu on his mission to Earth, from the movie poster, which in turn I've taken from a cool book of Classic Science-Fiction Movie Poster postcards that Dover publishes.

I've said before that I think robots are always fun to draw, but Gort (who was mostly a mask on a fairly featureless foam-rubber suit) lacks a lot of the gears and widgets that make technology (and robots) doodleable. Still, I'm sure the past century of science fiction would have looked and felt different without him.

As for the dialogue? Well, I rolled "dark whisper" again, and I know the main anxiety I'm having today is still fallout from the SPX uncertainty yesterday.

AlphaBots: F is for Flexo

Looking over my AlphaBots so far, you might wonder why I didn't draw Bender, one of my favorite robots, back when we were on the letter B. Part of the answer has to do with the fact that I want my twenty-six robots to come from twenty-six discrete sources, and Futurama has a lot of robots to choose from.

But the fact is that as much as I like Bender, I like his goateed doppelgänger Flexo even more.

The joke about Flexo is that because he's a duplicate of Bender with a goatee added, everyone expects him to be Bender's evil twin. As it turns out, however, although Flexo is prone to japes and sarcasm, he's basically a nice fellow, and our pal Bender is the evil one.

As for the random dialogue this week. Well, I rolled "worry/trouble/dark whisper." Frankly, it was a bad day for the dice to take that turn. I have been full of worries lately. I'm sure Flexo would console me if he were here.

Fzzzark! Woop! Woop!

Today's "Draw Two Panels" strip introduces not one but two of the robots I have drawn for Alphabots. I suppose that was likely to happen eventually.

It was fun to draw the Cooker again, though putting him into a panel automatically raises the question of perspective in a way that I have to admit I find a little awkward. (I'm not drawing these things in a space where I can get out a big ruler, and the original paper is only 4" by 3", so it's hard to be scientific about linear perspective. Hopefully the way I'm fudging it more or less works.)

Anyway, there are more of these coming up this week.

AlphaBots: E is for ED-209

This week's AlphaBots drawing isn't a robot I'm especially fond of, though I do like the moment or scene that I've chosen for the illustration. I mean, don't get me wrong, I like RoboCop 2 as much as I like any of Frank Miller's other forays into film, but that's some pretty faint praise.

The ED-209 is an advanced police robot, designed (if I recall correctly) to build on RoboCop's success and replace the titular hero with a newer and less maverick model. (Update: I did not recall correctly. As my ED-209-drawing brother-in-Alphabots Sam Wolk reminds me, the ED-209 was a precursor to the RoboCop technology, and was visible in the first RoboCop movie, though I totally remember it from the sequel.)

But ED still has some programming glitches and design kinks to be worked out. (If you haven't seen RoboCop 2, please be aware that the clips I just linked to have some over-the-top violence.)

Anyway, ED-209 is not so good at descending a staircase. I really like the gingerly way it tries to position its chicken foot on the stairs; full props to its stop-motion animator, Phil Tippett.

The text caption for this panel came from a randomly chosen page in the nearest book to hand, the dopey pop-psych creativity manual that comes with the Ball of Whacks toy. Next time, I'll make sure a better book is nearby before I roll the die.

Bonus AlphaBot: C is for Curiosity

When I drew the Cooker for this week's Alphabots, I was not (apparently) done drawing lone explorers of deserted heavenly bodies within our solar system. 

I could not get myself to go to bed last night without drawing one of my all-time favorite robots, one that has, in truth, more than once brought a tear to my eye, despite being nothing really but a big remote-control toy with some very fancy attachments.

Dear reader, C is also for the Curiosity Rover. You can follow it on Twitter.

It's really up there (or out there, maybe, would be a better word) on the real surface of the real tiny point of light that we call Mars. People put it there.

It's out there to tell us what it finds. Eventually, it will break down, waiting to be recovered or discovered or never seen again. How can your heart not go out to it?

The dialogue was summoned via bibliomancy (and slightly modified), from a poem by Nuala Ní Dhomhnaill, as translated by Michael Longley.

AlphaBots: C is for the Cooker

You may know this week's Alphabots robot without knowing its name. If you've ever seen the original Wallace and Gromit short, A Grand Day Out, you will probably remember the clunky coin-operated robot they encounter when they arrive for their cheese holiday on the moon. In you have never seen A Grand Day Out, and you have Netflix, you're in for a treat.

Anyway, I only learned this year that the robot in A Grand Day Out is called the Cooker.

I'm really pleased with the way this guy turned out.

As usual, because I'm using this as a card in my "Draw Two Panels" process, the dialogue is coming from a source determined by random die roll. In this case, it's from a tweet by Katie Skelly. 

AlphaBots: B is for Bishop

Well, I have managed a second week of Alphabots without too much strain.

If you've seen Aliens, then I'm hoping the image in this panel will be familiar:

That's right, B is for the android Bishop, he of the speedy knife trick.

I had originally thought about drawing Lance Henriksen's Halloweeny face. I'm sure he'd be a lot of fun to draw, even for someone with my meager skills of caricature. But since I'm putting this card into my "stochastifactory" deck, and since characters once introduced there have a tendency to reappear, I thought a slightly more ambiguous close-up would be a better idea.

Also, to tell the truth, I figured other cartoonists were bound to do better caricatures of Lance Henriksen than I could.

As for the text in the panel: well, when I rolled a die, the table told me to use a line from a song that was stuck in my head.




So far, every time the die has told me to use song lyrics, they've come from an episode of the Super Music Friends Show.

AlphaBots: A is for Astro Boy

I've been trying to decide whether I have time to do AlphaBots. After all, I had to bail from AlphaBooks after the letter Q, and I don't have a whole lot more time this semester, even though I have committed myself (apparently) to a weird new drawing project.

And then I thought, well, what if I combined the two projects? I'm supposed to have a deck full of random drawings; what if twenty-six of those random drawings, over the next twenty-six weeks, included an alphabet of robots, all drawn from different sources?

(The text in my Alphabots panels is still going to come from a lot of random places; this particular one is a version of a recent tweet by Matt Wiegle, edited for brevity.)

Don't see Astro Boy in that panel? (It's swiped from Tezuka's 1967 story "The Faceless Robot," which appears in the eighth volume of the Dark Horse Astro Boy reprints.) Oh, he's just little.

Do you think I'll make it all the way to "Z is for Zhora"?

Do These Count as Steampunk?

After a couple of posts that nearly border on journalism, I want to indulge an almost pointless private impulse. Plus, I haven't unpacked from the SPX trip yet, so I don't have time to do more digging in the books I picked up while I was there.

I got to visit with Mike today before I left DC — the Mike who is the other half of the Satisfactory Comics enterprise — and we got to talking about some of our old projects, including one old, old thing from before even the first issue of Satisfactory Comics that thankfully never got past the drawing-board stages.

All that's left of this silly project is a handful of doodles, but I've saved them. And so please let me present to you a couple of pieces of nine-year-old ephemera:

Talus, the Iron Man:



The Ivory Tower:



As you might be able to tell, these were going to be the villains of the piece. I'm mainly posting them so Mike will be able to see them too, after all these years.

Robot Doodle Lagniappe

I've written before about the way I enjoy putting a little lagniappe into the envelope when I'm sending out comics someone has ordered. And I've shown you little doodles of robots, which seem to be one of my favorite "fun things to draw."

Well, yesterday someone ordered the "Full Run" of Satisfactory Comics products, and I couldn't help adding a little robot doodle to the envelope, in addition to the lagniappe I tucked into the package itself.



I know it's just a little five-minute doodle, and not especially awesome, but it was fun to make, and I thought I'd share it.

(Plus, I wanted to remind people that I still do have copies of most of our minicomics for sale.)

I think that when I drew that little guy I was thinking, in the back of my head, about this adorable little robot that Sarah Becan drew in my robot sketchbook a few SPXes ago.



If it were any cuter, it'd be entering the Uncanny Valley, wouldn't it?

Lecture Doodle: a Robot with a Sense of Fear

Well, I went to another lecture this evening, and while I was listening to the presentation I filled about half of a notebook page with random, silly doodles.



I liked that robot doodle enough to color it. Enjoy:



I don't have much to add to that. See you in a few days.

Lecture Doodle: a Robot with a Lot on His Mind

Yesterday I attended a lecture, and my idle hands turned out to be a doodle's playthings yet again. No surprise there.



You can click to enlarge any of the images in this post.

For some reason, I'm charmed enough with that robot that I decided to color him.



The process of coloring in Photoshop, even with flat colors like these, is a little painstaking, but I've done it enough now that it doesn't take too long. The trick is to set up a separate layer (set to "darken" instead of "normal") over your linework, then use the angle-lasso tool to circle each field of color, then paint-bucket each color into its place.

Last week's doodle penance saw me fiddling around with the "Pixelate—>Color Halftone" filter on my finished color layer, in order to imitate the benday-style coloring in one of Lewis Trondheim's books. Doing that with this colored doodle left me with this:



But I wanted to do a little more fiddling. On this version, I tried using the Color Halftone pixelation setting with only the magenta channel of the CMYK color. It still isn't quite "coloring like a little old lady from Bridgeport," but I like the effect.



You'll want to click that image to enlarge it, so you can see the effect I'm talking about.

That's all for now. Just some stupid procrastination. Don't I have exams to grade?