First, there is the astonishing appearance of these giant rats in Osamu Tezuka's early manga Metropolis (inspiration for the 2001 anime):

They're monstrous, all right, but no mistaking their ultimate source, as their scientific name reveals:

Chances are that Tezuka's work here was itself an unrecognized source of inspiration for me in my doodle, given the fate of the giant rat in these panels:

There's even a final panel where the head dangles ready for further scalping:

My last example of a seemingly-scalped cartoon rodent is good old Mickey Death, the skull-headed curmudgeon whose adventures were chronicled by Eric Knisley and Kevin Dixon.* I first encountered Mickey Death in a free paper I picked up somewhere in the Triangle (either Durham, N.C., or Chapel Hill, I forget which) back in the early '90s. You can read about M.D.'s exploits here, or try to snag a print copy of the collection Mickey Death and the Winds of Impotence from lulu.com here (it's cheap as free)—or perhaps you could do as I did and buy a copy direct from co-creator Eric Knisley, should you be lucky enough to find him at a con.
*Click here for a Boing-Boing roundup of images of skull-headed Mickey clones, where a nice drawing of Mickey Death is the second of eight such images (so far).
2 comments:
There were apparently a lot of wartime Japanese cartoons which had Mickey Mouse leading the US armed forces, so I think Tezuka's use of Mickey here might come out of that tradition as well as his own evident fondness for Disney.
Fascinating! I knew (from the epigraph to Maus II) that Nazis vilified Mickey, but I didn't know that there was a similar Japanese equation between Mickey Mouse and US identity more broadly. Thanks for the comment, James!
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